By Ahmed Kanna
Exposing neighborhood struggles over strength and that means within the making and illustration of Dubai, Kanna examines the middle questions of what will get outfitted and for whom. His paintings, specified in its view of the interconnectedness of cultural identification, the outfitted setting, and politics, deals an instructive photo of ways diverse factions—from neighborhood and non-Arab citizens and expatriate South Asians to the cultural and fiscal elites of the city—have all participated within the production and advertising of Dubai. the result's an extraordinary account of the ways that the outfitted surroundings shapes and is formed by way of the adventure of globalization and neoliberalism in a various, multinational city.
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Dubai, the City as Corporation by Ahmed Kanna